On a Field, Sable, the Letter A, Gules, the show's title from the final sentence of The Scarlet Letter, develop its narrative around the wall text Swallowing and three sculptures, accompanied by a lullaby playing in an endless loop to creat an immersive, dreamlike space. Inspired by the Chinese romantic love fiction , the exhibition retells the story through a fairy-tale narrative style, seeking to guide the audience move among intertwined sculpture, text, and sound, drifting through a story suspended between waking and dreaming to feel desire, romance, and violence flowing in subtle, shadowed currents, and in turn reflecting on how Confucian patriarchy and East Asian misogyny have harnessed the narratives of romance in popular culture to construct seductive fantasies that subtly discipline women‘s existence and ways of knowing.